Jakob Schnack Krog

The performance group Boys* in Sync is researching the communal area of Tårnbyparken, which was established in the 1950s to provide green and affordable housing, inspired by the Athens Charter.

200 years earlier Heinrich von Kleist wrote “The Earthquake in Chile”, a short novel about a young couple whose love is socially forbidden. Only through the catastrophe of an earthquake are they able to escape execution and find shelter in a community of survivors outside the ruins of the destroyed city. Kleist’s novel can be read as a study of community and societal trauma - eventually law is reinstalled and the two lovers are killed by the newly established community that they had put their trust in.

In the 40 min performative walk through the landscape of Tårnbyparken, Boys* in Sync explore its socio-political topography, stepping in and out of theatricality, using the architecture as well as Kleist’s novel to raise the questions: “What does it need to build a community? What do we learn from a crisis?”

A Boys in Sync production. Duration 40 minutes.
Shown at Tårnby Park Performance Festival 2023.

With and by Jakob Schnack Krog & Simon David Zeller
With support from Dansk Artist Forbund & Tårnby Park Performance Festival

Photo credit: Max Morris

In 1931, two years before Adolf Hitler came to power in Germany, Carl Zuckmayer wrote the play „Der Hauptmann von Köpenick“, criticizing German militarism and authoritarianism. But in 1925 – when the NDSAP was re-founded, Hitler published his manifesto „Mein Kampf“ and started to form a new movement that would later bring him to power – Zuckmayer premiered with „Der fröhliche Weinberg“ a rough and light soap opera about intrigues and drunken love affairs in a farmers family.

Ragni Halle, Jakob Schnack Krog, Gregers Krogsleiven-Hansen and Simon Zeller take the play „Der Fröhliche Weinberg“ as a starting point to research on the notion of „fun“, while facing the rising of new far right movements in their home countries Norway, Denmark, Poland and Germany.

A Boys in Sync production. Duration 50 minutes.

Shown at
Für Dich Für Dich Für Dich Festival 2021 at Theater neben dem Turm, Marburg (DE)
Tårnby Park Studio 2022, CPH (DK)
SALT 2022, Oslo (NO)

Funded by TNT Marburg, FFUK & Kulturamt Gießen.

Photos: Lena Bondeson & Frithjof Gawenda

Institute of Interconnected Realities
Husets Teater 2022

★★★★★
"Institute of Interconnected Realities (I-IR) har med A PLAY skabt et ikke-eksisterende rum, en svævende eksistens der udgiver sig for et, men rejser spørgsmål og tager dig et andet sted hen. Men også en følelse af koreografisk rumlighed, der tager plads i dig så snart du overgiver dig."
Casper Koeller, Sceneblog

★★★★
"En metakommentar, der tilbyder et kritisk blik, så teatret ikke blot reproducerer sig selv. Som koncept gør I-IR det, de siger de vil og med stor tilstedeværelse."
Iscene

"Hvis du kommer for følelsen, for strøtankerne og for den fabelagtigt akavede stemning, der opstår, når man konfronterer et publikum med dem selv, så er du gået rigtigt."
Den 4. Væg


Performere: Angela Bundalovic, Jakob Schnack Krog, Jonathan Bonnici, Inaja Skands
Koreografi: Marie-Louise Stentebjerg
Dramaturgi: Ida-Elisabeth Larsen
Performance instruktion: Jonathan Bonnici
Lyd og komposition: S. Rieser
Lysdesign: Christian Vest Berntsen
Maske- og karakterdesigner: Nagi Gianni
Scenografi og environment research: Balz Isler
Kunstnerisk sparring: Shelley Etkin
Assistent: Sophie Rebekka Grodin
Producent: Gry Raaby


Vi befinder os i en svævende tilstand en halv meter over jordens overflade, uvidende om, hvor vi egentlig er? Og om, hvad der hensatte os i denne tilstand? Var det abstraktionen af vores identitet? Udviskningen af vores fælles fortællinger? Den nødvendige omskrivning af historien? Den svævende tilstand har ledt til en følelse af hjemløshed – til en følelse af at være på ydersiden af selv vores egen krop.

A PLAY er et koreografisk værk om sted og stedløshed. Forestillingen tager afsæt i black box’en – dette sorte, vinduesløse scenerum – og spekulerer over, hvordan et sted som dette påvirker vores krop, vores tænkning og vores fantasi. Herfra starter en rejse ind i et navnløst landskab befolket af fire karakterer, som vækker mindelser om et græsk tragediekor, men også om en flok overlevende i golde, post-apokalyptiske omgivelser. I larmende stilhed medierer de fire karakterer de komplekse lag, som tilsammen skaber dette sted, vores allesammens her og nu.

A PLAY er skabt af Institute of Interconnected Realities (I-IR) og bygger på en form for arkæologisk studie, som dykker ned i teatrets kulturhistorie, ind i metaforerne og selve bygningen – Husets Teaters – materielle virkelighed.

Institute of Interconnected Realities fortæller: 

I A PLAY har vi været inspireret af en forståelse af sted, som noget der er yderst dynamisk og udtryksfuldt, som noget der har en iboende intention – omend denne intention er flertydig og kompleks. Vi forestiller os, at relationen mellem menneske og sted er mere en form for samspil end et spørgsmål om orientering eller kontrol, og at en gensidig opmærksomhed kan opstå, når man engagerer sig i dette samspil.

I modsætning til vores tidligere processer har vi med A PLAY tilladt os selv at gå med teaterrummet og dets evne til at producere fiktioner. Mellem de mere repræsentative ideer og performernes praksisbaserede arbejde opstår der i A PLAY et landskab af sammensmeltede tider og lag, hvor der på sin vis rækkes ud mod en nær og ubestemt fremtid samtidig med, at de kulturhistoriske referencer udspiller sig lige nu og her.

A PLAY er skabt af Institute of Interconnected Realities (www.iir.dk) og præsenteres i samarbejde mellem Dansehallerne og TOASTER på Husets Teater.

Fotos: Ville Vidø

Made by www.boysinsync.com

“The Highlight of the festival (Frie Felts Festival, Cph). It is disorientation and comedy at the highest level. The show is going on tour - keep an eye on it.”
Anne Liisberg, Iscene.dk

“A celebration of the possibilities of theater and an invitation to explore all the different ways they can go”
Jens Fischer, Deutsche Bühne

“A sort of Post-Post-Dramatik Theatre (…). Sweet Dreams are made of this.”
Falk Schreiber, theater heute

“The zest for life and the frustration of life, portrayed in one single moment. Awesome!”
Manfred Koch, Erlanger Nachrichten

Summer 2020. Boys in Sync are meeting between the first and second Coronavirus wave to reflect on the Rise of the European Political Far Right.

The basis of their practical research is a German theatre play from 1925: “Der Fröhliche Weinberg" (eng: Happy Vineyards) by Carl Zuckmayer, a rough and dirty soap opera about heteronormative love intrigues - a bestseller, just like the autobiography "Mein Kampf" by Adolf Hitler, published in the same year.

Together with their co-performers Ragni and Gregers, who are stuck behind their national borders, Boys in Sync are connecting choreographic elements with references of drama theatre history as well as stereotypes of togetherness and masculinity, opening up a space that merges between clowning, contemporary dance and a teenage slumber party.

A comment on the contemporary theatre discourse, never leaving the liminal space between angry-nonsense and seriousness

„We’re not here to make art for artists, we are here to make art for the people, because we know, that their lives would be better, if they came to see our shows.“

60 min dance/theatre performance from 2020
with Ragni Halle, Jakob Krog, Simon Zeller
& Gregers Kroksleiven Hansen
outside eye: Jay Fiskerstrand, Naja Schønemann
funded by Theater Neben dem Turm Marburg

Shown at:

Für Dich Für Dich Für Dich 2020, Theater Neben dem Turm, Marburg (DE) [cancelled:covid19]
Theatermaschine 2020, Theaterlabor Giessen (DE) [cancelled:covid19]
UWE Festival 2021, August Everding Akademie, Munich (DE) [cancelled:covid19]
Sprungturm Festival 2021, Theater Quarantäne, Darmstadt (DE)
Husets Teater 2022, Det Frie Felts Festival, CPH (DK)

Photo credits: Svenja Polonij, Julian Tilly

September 2021

Moving through the canals of Copenhagen, sharing the music of Oak & Shaw on the raft Frk. Himmelblå with:

Jakob Andersen - captain
Jakob Schnack Krog - guitar/sax
Matilde S. Hansen - scenography & costume
Karoline C. Holland - video
Babette McPhillips- pictures
OAK & SHAW - music

Supported by - Slots og Kulturstyrelsen, Norsk Kulturråd

Teater GLiMT
Teater ZeBU, Teater Momentum, Godsbanen + Danmarksturné 2022



”Der findes ingen kvanteverden. Der er kun en abstrakt kvantefysisk beskrivelse. Det er forkert at tro, at det er fysikerens opgave at finde ud af, hvordan naturen er. Fysik handler om, hvad vi kan sige om naturen” – Niels Bohr

Verden rummer mere end hvad, vi kan se og mærke. Niels Bohr revolutionerede den moderne videnskab, da han fremsatte sin teori om, at fysikken beskriver verden i vendinger, vi ikke umiddelbart kan visualisere eller forestille os. Sandheden kan virke selvmodsigende, og paradokset bliver kun et startpunkt for nye opdagelser. I 2022 er det 100 år siden, Niels Bohr modtog sin nobelpris i fysik, og i den anledning vil GLiMT hylde og portrættere denne ikoniske person og videnskabsmand. Det bliver med en storslået multidisciplinær forestilling, der udfordrer fysikkens love og – ligesom Bohr – bringer undren tilbage i måden, vi ser verden på.

Bohr var en særlig slags videnskabsmand og et favnende menneske, der gjorde sine kollegaer og studerende på Niels Bohr Instituttet til én stor familie. Her gik de fx rundt med legetøjspistoler og skød om kap mod hinanden, inspireret af hvordan gunslinger-helten i westernfilmene altid vandt over skurken, selvom skurken trak først. På den måde beviste Bohr, at den umiddelbare respons er hurtigere end den intentionelle handling.

Hans forskning og især hans indflydelse på samtidens forskningsverden har stadig stor betydning for, hvordan vi ser verden i dag. I en scenografi af tavler, inspireret af Bohrs personlige tavle, der rummede mange tavler, udfolder forestillingen sig i forskellige lag med historiske nedslag fra verdenskrigene, udviklingen af atombomben, historien om Bohrs årelange, legesyge fejde med Albert Einstein, anekdoter fra Bohr Instituttet og scener fra et familieliv, hvor Bohr kone Margrethe spillede en særlig rolle for, hvordan det tæt forbundne forskningsmiljø på instituttet udviklede sig, og hvor Bohr mistede sin ældste søn i en tragisk bådulykke.

Med GLiMTs karakteristiske sceniske sprog, der eksperimenterer med relationen mellem performere og scenografi, bliver historien fortalt med fx et cyr wheel i rasende fart, der illustrerer Bohrs forskning omkring atomets hemmeligheder, og kropslige udfoldelser og illusioner, der forvrænger tid og rum og udfordrer tyngdekraften. Gennem en stærk visuel og sanselig forestilling vil vi komme Bohrs tanker nærmere – og forstå, at vores daglige opfattelser af vores verden gemmer på så mange utrolige hemmeligheder.

Medvirkende:
Mo Chara, Elise Bjerkelund Reine, Margherita Mischitelli & Jakob Schnack Krog

Kunstnerisk hold
Iscenesættelse: Lars Lindegaard Gregersen
Dramaturg og dramatiker: Jesper Pedersen
Komponist: Camilla Bang
Lysdesign: Michael Breiner
Videodesign: Søren Knud
Koreografisk hjælp og kostumer: Camila Sarrazin
Konstruktør: Harvey Bewley

Fotos: Søren Meisner

Sew Flunk Fury Wit
Passage Festival 2021

A sensory, enigmatic and all-encompassing story of erotic obsession and power. Naked bodies in mud, rope firmly tied around the flesh, juices, honey and a soprano’s alluring and melancholic vocal in the darkness.

The audience enters an enveloping journey in The Foxcave, an abandoned fire station in Helsingor in this sensory, labyrinthian and illusory world, live The Obsessed: A group of individuals who each have enclosed themselves in the hunt to satisfy their erotic desires.

The Foxcave deals with the human erotic drive and is created by an international group of actors, performers and musicians. In a time occupied by where the borders of our intimate lives go, the question is: What do we do with the desire that is nurtured by crossing the boundary.

The Foxcave is presented by the company Sew Flunk Fury Wit in cooperation with Helsingør Teater and PASSAGE Festival. The performance is supported by Statens Kunstfond Projekstøtteudvalget for Scenekunst and Puljen for kunstneriske sommeraktiviteter, Koda-Dramatik, Augustinusfonden and Knud Højgaards Fond.

CAST/CREW

Director and concept
Jesper Pedersen

Artistic director and concept
Svend E Kristensen

Composer
Peter Kyed

Set designers
Johan Kølkjær
Marie Rosendahl Chemnitz

Costume designer
Ane Katrine Schyth Kjær

Light designer
Ida Kaspersen

Sound designer
Weronika Andersen

Set design assistants
Christine Scheel Kvint
Kristina Freese

Consultant
Dorte Holbek

Performers
Nina Sveistrup Clausen
Peiman Fallahian Sichani
Helle Fuglsang
Jakob Schnack Krog
Louise Bonde
Minni Katina Mertens
Linh Le
Svend E Kristensen
Jannick Raunow

Live musicians
Randi Pontoppidan, Thomas Agergaard, Anders Rex, Peter Kyed, Rune Risager, Peter Kohlmetz Møller

Kinbaku
Steen Lillethorup Frederiksen
Steen Elmegaard Andersen

Production management
Kanonproduktion v/
Nils Engelbrecht-Sørensen

Communications manager
Charlotte Schmidt Frandsen

Photographer: Bjarne Stæhr

made by www.boysinsync.com

Edinburgh Fringe Festival 2019 (UK), Young Urban Performances Festival 2019 (DE), Performing Arts Festival online edition 2020, Sophiensaele (DE), Liebe und Zuneigung Festival 2021 (DE), TanzArt Festival 2021 (DE).

The performance "Boys in Sync: Merging" presents three young men with different archives exploring contemporary masculinity. Through following various choreographic scores they try to get their different bodies in sync, creating a constant tension between success and failure, harmony and disharmony. The performers work with simple movement patterns, which unfold through lengthy repeated sequences. 

The form of the performance is set between acting and dance. It enters the current discourse, questioning the categories of „dancy“ and „non-dancy“ movements. What begins as a witty dance piece with subtle theatrical affect expands into a complete work: a funny, vulnerable expression of youth, desire, difference. It becomes what might be described as a proposal for the future of boyishness as a mode of tenderness, listening, musicality and longing. It loves and is lovable, it sees us, and it reveals itself.

Premiered at Norwegian Theatre Academy 2019 (NO)

Duration: 60 min

Photo credits: Jan Husták, Jonas Siro, Bård Halvorsen

NB: Because of an injury, Jay Fiskerstrand is only partly present in the video and photo documentation.

Made by www.boysinsync.com

„When I was 14 I prayed for friends. One night I prayed so hard that I fainted. As I woke up on the bathroom floor, I realized that it must have been a holy stroke, coming from catholic god, to finally bring me some friends.“

How many performers does it take to talk about something without talking about it? The answer is two. In BOYS IN SYNC - DODGING, Jakob and Simon are moving through the most popular discourses of contemporary performance theatre. Together they are spiraling around questions of sexuality, gender, death and religion until the circles become squares. In various layers of movement and storytelling, they look back on their teenage experiences of love, trust and abuse, imagining a world without the one thing missing: The loving support of a best friend.

50 min dance/theatre performance from 2021
Performers: Jakob Krog & Simon Zeller
Outside Eye: Jay Fiskerstrand
Light and Sound: Frithjof Gawenda
Special thanks to Viktorija Ilioska, Eva Streit, Herbert Graf, Nastya Dzyuban and Laura Stellacci

Funded by Hessische Kulturstiftung as part of the funding program “Hessen kulturell neu eröffnen”. With special thanks to Stadttheater Giessen and TanzArt ostwest.

Shown at:
OVERLAB/P, TanzArt ostwest 2021, Giessen (DE) [cancelled:covid19]
Theatermaschine 2021, Theaterlabor Giessen (DE) [cancelled:covid19]
Giessener Auftritte 2021, Stadttheater Giessen (DE)

Teater Zeppelin & HAUT 2021
- et samarbejde mellem scenekunstnerne Naja Schønemann, Nina Tind Jensen, Jakob Krog, Dóra Haraszti og Kaja Mærk Egeberg

“Det Levende Lys” er et tværkunstnerisk projekt som undersøger lys, ekstase og kanalisering, med udgangspunkt i Hildegard von Bingens multikunstneriske oeuvre. Vi eksperimenterer med formater som bevæger sig mellem ritual, koncert og dissektion af lys. Og undersøger hvordan vi kan indrage deltageren i Hildegards visioner på en sanselig måde.

Projektet har et research-format med løbende samlinger og arbejdsvisninger og hvor vi opbygger en praksis og laver performative eksperimenter.

Gruppen etablerede samarbejdet i 2021 og har haft et arbejdsophold på Rygård Gods og et residensophold på Haut med en arbejdsdeling på Teater Zeppelin September 2021.

Mere om prosjektet på Hauts hjemmeside: www.hautscene.dk/det-levende-lys

OG i scenkunstbloggen BASTARD som skriver om projektet og arbejdsvisningen: bastard.blog/magiens-genkomst

Foto: Christian Brems og Kaja Mærk Egeberg

Scenekunstnerkollektivet Dræner
Sydhavn Teater 2019
Site specific theatre performance in a laundromat in Copenhagen

”Vi blev vasket dengang vi ikke selv kunne gå. Da vi så kunne gå og rejse os op til sæbeskuffen blev vi vasket igen. Af mor. Af far. Af himlen. Vasket i én uendelighed fordi vi havde rejst os. Da vi nåede puberteten blev vi vasket af vores venner, sammen med vores venner, i Hvidesøen midt om natten, knallerterne der stod under træerne blev vasket af månen der hang og kiggede på.”

Theatre collective Dræner consists of Jakob Schnack Krog, Bastian Laigaard Rasmussen, Christoffer Hvidberg Rønje og Troels Kortegaard Ullerup.

Forestillingen er bevilliget støtte af site-specific-platformen ST:ART under Sydhavn Teater, som i 2019 er støttet af Kgs. Enghave Lokaludvalg, Fælleskassen, Funch Fonden samt Tuborgfondets pulje til udarbejdelse af kunstneriske projekter i Sydhavnen.

Photos: Lasse Mouritzen

We don’t want to make art for artists. We want to make art for The People.
Romeo has just killed Juliet’s cousin and he wants to talk about their relationship status.
We want everyone to want theatre.
Gina and Jo keep inventing new ways to love each other.
We acknowledge our privilege in being able to make art about what may seem like absolutely nothing.
The band won’t stop playing love songs.
If people would rather go see a concert or watch a movie or work out, we are sad for them, because they are missing out on the “here and now” that is live performance.
In a time of fragmented narratives about capitalism and the rise of the far right, we want to talk about something that matters, something that burns…

RashDash: Abbi Greenland, Helen Goalen, Becky Wilkie

NTA's graduating students in acting and scenography: Andrea Lindeneg, Cecilio Orozco, Duduzile Mathonsi, Gregers Kroksleiven-Hansen, Jakob Krog, Jay Fiskerstrand, Livia Hiselius, Naja Schønemann, Nina Jensen, Ragni Halle, Simon Zeller, Sofia Findahl, Tova Ekenberg

Photographer: Bård Halvorsen
2019

Video work made for Performing Arts Festival Berlin 2020, online edition, in collaboration with Sophiensaele, Berlin (DE)

The video is borrowing video material from our production MERGING and from our zoom conversations around the time of the pandemic.

music video 2020

Director & Screenwriter: Signe Eggert
Choreographer & Co-director: Ludmilla Freja Faber Striim
Producer: Anders Eggert
Starring: Bastian Laigaard Rasmussen & Jakob Schnack Krog
Cinematographer: Rasmus Wittrup
Gaffer: Andreas Bruun Thorsted
Runner: Ida Eberholst Ferrara
Editor: Josefine Svenningsen
Color grader: Lasse Selvli

Music by SIGNYR
Vocals by Signe Eggert
Guitar by Frederik Sandfeld Madsen
Keys by Elias Lykkeskov Jensen
Bass by Daniel Skov Nielsen
Drums by Alexander Hulshoff

Recorded & mixed by Esben Inglev (Penguin Productions)
Mastered by Emil Thomsen (ET Mastering)

Director: Kari Holtan
Visual design: Boya Bøckman
Scenography assistance, costume, photos: Cecilio Orozco

3rd year students at Norwegian Theatre Academy.
Actors: Tova Ekenberg, Jay Fiskerstrand, Ragni Halle, Gregers Andreas Kroksleiven-Hansen, Nina Tind Jensen, Jakob Schnack Krog, Duduzile Libazia Sfiso Mathonsi, Simon Zeller, Naja Schønemann.

Norwegian Theatre Academy 2018

made by

Jakob Schnack Krog
Gregers A. Kroksleiven
Omri Ariav Miriam
Myrthel Pedersen
Shiva Sherveh

Inspired by Frederico Garcia Lorca's "The Butterfly's Evil Spell".

Photos by Felipe Osorio Guzmán and Annike Flo.

Norwegian Theatre Academy 2017

a dance theatre performance made by 2nd year actors and scenographers at Norwegian Theatre Academy in collaboration with guest artist Dan Safer of Witness Relocation, NYC.

Performers: Felicia Chin-Malenski, Tova Ekenberg, Sofia Findahl, Jay Fiskerstrand, Ragni Halle, Gregers Kroksleiven-Hansen, Livia Hiselius, Nina Tind Jensen, Jakob Schnack Krog, Andrea Madsen Lindeneg, Linn Haldrup Lorenzen, Cecilio Orozco, Nayoun Ryu, Naja Schønemann, Shiva Sherveh, Marie Sturminger, Duduzile Libazisa Sfiso Mathonsi, Eline Waldeland

Photos: Erling Schnack Krog

Norwegian Theatre Academy, 2017.

made by Jakob Schnack Krog, Nina Tind Jensen, Andrea Lindeneg Madsen, Livia Hiselius, Cecilio Orozco Martinez

Pipes is a performance about memory and the loss or alteration of memory. It uses choreography, text and a sounding scenography and investigates the intersections - and detachments - between remembering and forgetting, passive and active, static and dynamic, imaginative and reality.

Norwegian Theatre Academy 2017

Monologue, Vildskud Theatre Festival​ 2014, Huset-KBH​, 2014

Director and playwriter: Azadeh​ Ghavamrad

Photos: Jonas Schnack Krog​

Director: Mads Hammer

DT dance theatre performers: Ane Carlsen, Jakob Schnack Krog, Sarah Francesca Brænne, Peter Scherrebeck Hansen, Ellaha Lack, Aron Munk Rösing, Johannes Frieboe, Emma Bondo, Pernille Rosengren, Sara Brendstrup, Rebecca Vedel Ottensten, Karoline Møbius, Leni Midjord Shapira, Helle Louise Møller Jensen, Ida Seline, Jacobe Orry.

Photo: Kian Lagerstedt (1)

Krudttønden, Copenhagen 2015

Site specific performance with a blindfolded audience guided around Tøyen Library in Oslo, Norway.

Tutors: Tolga Balci & Sara Brown

Performers: Jakob Schnack Krog, Livia Hiselius, Tova Ekenberg, Shiva Sherveh, Andrea Lindeneg, Duduzile Mathonsi and Eunyoung.

2018

Created in collaboration with Keith Hennessy.

Performers: Rafal Pierzynski, Kasia Ustowska, Piotra Ryzinski, Jakob Schnack Krog, Rose Mary, Christina Menzel, Reimo Sandau, Manuel Maya, Agne Bu, Pawel Michal Konior, Paulina Swiecanska, Eweryst Szydlowski

Centre for Contemporary Art, Warsaw, Poland, 2017.

Autobiographical solo performance made by Jakob Schnack Krog

Tutor: Juli Apponen

Photos: Gregers Kroksleiven-Hansen

Norwegian Theatre Academy 2017

Director: Etienne Guilloteau (FR), collaboration with Karen Kiphoff and the artistic research project ‘Blind Spot’ at the Norwegian Theatre Academy.

Dancers: Jakob Schnack Krog, Emmi Väisänen, Nefeli Asteriou, Cecilio, Simon David, Minjeong Park, Nina Tind Jensen, Livia Hiselius, Nemanja Čađo, Rosa Marie.

Photos: Inga Aleknaviciute

HZT, Berlin 2018

Director: Lykke Meyer
Light: Morten Frank, Astrid Sarauw

Actors:
Jakob Schnack Krog 
Siff Lundgreen
Frederik Mansø
Clara Manley
Katrine Ørskov
Lukas Toya
Madelen Larsen
Lucia Vinde Dirchsen
Liv Cappi Grunnet
Jeppe Alsgaard Pachaï
Christoffer H. Rønje
Hans Christian Schrøder
Alberte Halmø
Christoffer Bladt
Kasper Buus
Laura Mikkelsen
Anton Sager

Krudttønden, Copenhagen 2016.

Director: Lykke Meyer. 
Light: Morten Frank.

Actors:
Jakob Schnack Krog 
Siff Lundgreen
Frederik Mansø
Clara Manley
Katrine Ørskov
Lukas Toya
Madelen Larsen
Lucia Vinde Dirchsen
Liv Cappi Grunnet
Jeppe Alsgaard Pachaï
Christoffer H. Rønje
Hans Christian Schrøder
Alberte Halmø
Christoffer Bladt
Kasper Buus
Laura Mikkelsen
Anton Sager

Photos by Signe Vad.

Krudttønden, Copenhagen 2015.

Performance by 3rd year acting students from Norwegian Theatre Academy in collaboration with Biño Sauitzvy.

Performers: Tova Ekenberg, Jay Fiskerstrand, Ragni Halle, Gregers Andreas Kroksleiven-Hansen, Nina Tind Jensen, Jakob Schnack Krog, Simon Zeller, Naja Schønemann, Eline Waldeland.

Le Générateur, Paris, 2018.

360° video made by 2nd year students of Norwegian Theatre Academy in collaboration with Lovis Dengler and Patrick Kappeler.

Fredrikstad, Norway, 2018

Duo performance with Gregers Kroksleiven-Hansen.

Fredrikstad 2018.

Director: Azadeh Ghavamrad
Performers: Jakob Schnack Krog, Ane Carlsen

a dance theatre performance greatly inspired by the poem “Krigere uden Vaaben” by Morten Nielsen. The performance was shown at Skuespillerhuset (Royal Theatre of Denmark) as a collaboration between CPH Stage theatre festival and Vildskud Theatre Festival.

2016

Director: Joey Miller

Actors: Theis Hass, Jakob Schnack Krog, Anne-Marie Grønvold, Mette Purup, Sarah Dahl Hasselgren, Monica Rahbek.

Photos: Joey Miller (1), Erling Schnack Krog (2-4)

Teater Play, Copenhagen 2014

Film made by Jakob Schnack Krog.

Actor: Gregers Kroksleiven-Hansen.

Fredrikstad 2018.

music video 2017

Director: Azadeh Ghavamrad

Video/photos: Jeppe Stillhoff Lundmann Christensen

Music/lyrics: Emil Lundbak

music video 2015

Music: Jakob Schnack Krog & Hjalmar Littauer (Two Men Speak)

Actor: Ane Carlsen

Camera: Jonas Schnack Krog

music video 2014

Music: Jakob Schnack Krog & Hjalmar Littauer (Two Men Speak)

Song mastered by Flemming Westberg (http://falcosonic.com)

Camera: Nikolai Schirmer